Select a case study, that is, a philosophically interesting Chinese aesthetic object

Select a case study, that is, a philosophically interesting Chinese aesthetic object

Select a case study, that is, a philosophically interesting Chinese aesthetic object

Select a case study, that is, a philosophically interesting Chinese aesthetic object (an artifact, a natural landscape, etc.), and apply the notions and concepts examined in class to a critical discussion of of that aesthetic object.  There are 5 assignments in total (A1-A5). In each assignment, students select a case study (that is, a philosophically interesting Chinese artworks) and apply the notions and concepts examined in class to a critical discussion of an example of Chinese art. Assignments are intended to help students’understanding of the material discussed and to put into use the theoretical issues brought up in class. Each assignment is worth 10 pt. Assignments should be type-scripted (no hand-written documents are considered acceptable). You should use a Times New Roman fonts, 12 pt, 1in margin on each side, letter format. The essay should be (circa) 2 page long. You can use the Chicago Manual of Style for citation (footnote). Please, you should also include your name, the number of the assignment, the date, and the semester in the document

• merleauponty_1964_eyeandmind.pdf
• Issues-of-Contemporary-Art-and-Aesthetics-in-Chinese-Context.pdf
• wk4_ink.pdf

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Chinese Contemporary Art Series

Eva Kit Wah Man

Issues of Contemporary Art and Aesthetics in Chinese Context

Chinese Contemporary Art Series

Editor-In-Chief Dr. Chunchen WANG China Academy of Fine Arts No. 8 Huajiadi Nanjie Street, Wangjing, Chaoyang District Beijing, P.R. China chunchenwang@126.com

Deputy Editors-In-Chief Paul Gladston, Associate Professor, Nottingham University (paul.gladston@nottingham.ac.uk) Wenny Teo, Lecturer, Courtauld Academy of Art (Wenny.Teo@courtauld.ac.uk)

Advisor Board Alexandra Munroe, Curator of Asian Art, Solomon R. Guggenheim Museum, New York Britta Erickson, Ph.D., independent curator, Palo Alto Duan Jun, Lecturer in Contemporary Chinese Art, Beijing Institute of Technology, Beijing Eugene Wang, Professor of Asian Art, Harvard University, Boston He Guiyan, Associate Professor, Sichuan Institute of Fine Arts, Chongqing John Rajchman, Professor, Art History, Columbia University, New York James Elkins, Professor, Art History, Theory, and Criticism, School of the Art Institute of

Chicago Katie Hill, Dr., Sotheby’s Institute of Art, London Mian Bu, independent curator, Beijing Melissa Chiu, Director of Hirshhorn Art Museum, Washington DC Michael Rush, Director of Eli and Edythe Broad Art Museum, East Lansing Paul Gladston, Associate Professor, Director of the Centre for Contemporary East-Asian Cultural Studies, The University of Nottingham

Sheng Wei, Dr., Deputy Editor of Art Magazine, Beijing Thomas J. Berghuis, Dr., Curator of Chinese Art, Solomon R. GuggenheimMuseum, NewYork Voon Pow Bartlett, Dr., Project Manager, Tate Research Centre: Asia-Pacific, London Wenny Teo, Dr., Lecturer in Modern and Contemporary Asian Art, The Courtauld Institute of

Art, London Yi Ying, Professor, Art Historian, Central Academy of Fine Arts, Beijing Yin Shuangxi, Professor in Contemporary Art, Central Academy of Fine Arts, Beijing Yu Yang, Associate Professor in Modern Chinese Art, Central Academy of Fine Arts, Beijing Zheng Shengtian, Editor-in-Chief of Yi Shu magazine, Vancouver