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choose two of the five questions below and answer them in essay format. Each of your responses should be a minimum of 300 words in length, include a minimum of three key terms from below and must use references. References used must be cited.Contrast the work of Renoir and Laurtrec. How do the subjects†styles of the artists reflect nineteenth century French society and the innovations of nineteenth century art? Use examples to support your essay.Describe the impact the Armory Show (1913) had on the American art scene. Use examples to support your essay.Describe Pablo Picassoâ€s Demoiselles dâ€Avignon. How did this work re-shape the art of the early twentieth century? Include in your discussion the influences coming from Primitive art. Use examples to support your essay.Describe the development of sculpture at the end of the nineteenth century. Use examples to support your essay. To what extent did sculpture remain conventional? What painting movements did it take into account?Explain the development of Cubism and the artistic movements that it spawned. Use examples to support your essayterms:Additive lightNatural light, or sunlight, the sum of all the wavelengths of the visible spectrum. See also subtractive light.Additive sculptureA kind of sculpture technique in which materials (for example, clay) are built up or “added†to create form.Attribute (n.)The distinctive identifying aspect of a person, for example, an object held, an associated animal, or a mark on the body. (v.) To make an attribution.CarvingA technique of sculpture in which the artist cuts away material (for example, from a stone block) in order to create a statue or a relief.CastingA technique of sculpture in which the artist places a fluid substance, such as bronze or plaster in a mold.ChronologyIn art history, the dating of art objects and buildings.CollageA composition made by combining on a flat surface various materials, such as newspaper, wallpaper, printed text and illustrations, photographs, and cloth.ColorThe value or tonality of a color is the degree of its lightness or darkness. The intensity or saturation of a color is its purity, its brightness or dullness. See also primary, econdary, and complementary colors.CompositionThe way in which an artist organizes forms in an artwork, either by placing shapes on a flat surface or arranging forms in space.EvidenceIn art history, the examination of written sources in order to determine the date of an artwork, the circumstances of its creation, or the identity of the artist(s) who made it.ForeshorteningThe use of perspective to represent in art the apparent visual contraction of an object that extends back in space at an angle to the perpendicular plane of sight.FormIn art, an objectâ€s shape and structure, either in two dimensions (for example, a figure painted on a surface) or in three dimensions (such as a statue).Formal analysisThe visual anaylsis of artistic form.GenreA style or category of art; also, a kind of painting that realistically depicts scenes from everyday life.Hierarchy of scaleAn artistic convention in which greater size indicates greater importance.IconographyGreek, the “writing of images.†The term refers both to the content, or subject, of an artwork and to the study of content in art. It also includes the study of the symbolic, often religious, meaning of objects, persons, or events depicted in works of art.Illusionism (adj. illusionistic)The representation of the three-dimensional world on a two-dimensional surface in a manner that creates the illusion that the person, object, or place represented is three-dimensional. See also perspective.IntensityThe value or tonality of a color is the degree of its lightness or darkness. The intensity or saturation of a color is its purity, its brightness or dullness. See also primary, secondary, and complementary colors.LandscapeA picture showing natural scenery, without narrative content.LineThe extension of a point along a path, made concrete in art by drawing on or chiseling into a plane.Medium (pl. media)The material (for example, marble, bronze, clay, fresco) in which an artist works; also, in painting, the vehicle (usually liquid) that carries the pigment.MuralA wall painting.Period styleA distinctive artistic manner. Period style is the characteristic style of a specific time. Regional style is the style of a particular geographical area. Personal style is an individual artistâ€s unique manner.Personal styleA distinctive artistic manner. Period style is the characteristic style of a specific time. Regional style is the style of a particular geographical area. Personal style is an individual artistâ€s unique manner.PerspectiveA method of presenting an illusion of the three-dimensional world on a two-dimensional surface. In linear perspective, the most common type, all parallel lines or surface edges converge on one, two, or three vanishing points located with reference to the eye level of the viewer (the horizon line of the picture), and associated objects are rendered smaller the farther from the viewer they are intended to seem. Atmospheric, or aerial, perspective creates the illusion of distance by the greater diminution of color intensity, the shift in color toward an almost neutral blue, and the blurring of contours as the intended distance between eye and object increases.Physical evidenceIn art history, the examination of the materials used to produce an artwork in order to determine its date.ProportionThe relationship in size of the parts of persons, buildings, or objects, often based on a module.Regional styleA distinctive artistic manner. Period style is the characteristic style of a specific time. Regional style is the style of a particular geographical area. Personal style is an individual artistâ€s unique manner.SchoolA chronological and stylistic classification of works of art with a stipulation of place.SpaceIn art history, both the actual area which an object occupies or a building encloses, and the illusionistic representation of space in painting and sculpture.SpectrumThe range or band of visible colors in natural light.StatueA three-dimensional sculpture.Still lifeA picture depicting an arrangement of objects.StyleA distinctive artistic manner. Period style is the characteristic style of a specific time. Regional style is the style of a particular geographical area. Personal style is an individual artistâ€s unique manner.Stylistic evidenceIn art history, the examination of the style of an artwork in order to determine its date or the identity of the artist.SymbolAn image that stands for another image or encapsulates an idea.TechniqueThe processes that artists employ to create form, as well as the distinctive, personal ways in which they handle their materials and tools.TextureThe quality of a surface, such as rough or shiny.TonalityThe value or tonality of a color is the degree of its lightness or darkness. The intensity or saturation of a color is its purity, its brightness or dullness. See also primary, secondary, and complementary colors.ToneThe lightness or darkness of a color.ValueThe value or tonality of a color is the degree of its lightness or darkness. The intensity or saturation of a color is its purity, its brightness or dullness. See also primary, secondary, and complementary colors.VolumeThe space that mass organizes, divides, or encloses.WeldTo join metal parts by heating, as in assembling the separate parts of a statue made by casting. Do you need a similar assignment done for you from scratch? We have qualified writers to help you. We assure you an A+ quality paper that is free from plagiarism. Order now for an Amazing Discount! Use Discount Code “Newclient” for a 15% Discount!NB: We do not resell papers. Upon ordering, we do an original paper exclusively for you. The post Contrast-the-work-of-Renoir-and-Laurtrec-art-design-homework-help appeared first on Nursing Writers Hub.”Do you need a similar assignment done for you from scratch? We have qualified writers to help you with a guaranteed plagiarism-free A+ quality paper.Discount Code: SUPER50!”
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